collecting art<\/a> was thoughtful and intentional. She and Carlos sought to document the art of the 21st century<\/b>, focusing on works that address identity, gender, class, and power. Their collecting practice was a partnership, balancing their individual preferences for paintings and performance art. Rosa’s dedication to critical thinking and her active engagement with art advisors and curators underscored her belief in art collecting as a meaningful pursuit\u200b\u200b.<\/p>\nMaking Art Public: From Home to Museum<\/b><\/h2>\n
Before they opened their museum, Rosa and Carlos turned their home in Key Biscayne into a place where everyone could come and see art<\/b>, living uniquely surrounded by their art collection. They wanted everyone to enjoy their art, which led them to start the De la Cruz Collection. This place was made to help people get involved in culture and learn more. It offers talks, classes, and scholarships, showing how much they want to help others really get what modern art is all about.<\/p>\n
Rosa de la Cruz has greatly impacted Miami’s world of art and community. Working with Carlos, she didn’t just make Miami’s culture richer; she also showed a great way to bring art and people together. The De la Cruz Collection keeps her dream alive, encouraging new generations and proving her important role in today’s art scene.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10026,"featured_media":170429,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[410],"tags":[],"class_list":["post-170422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/170422"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10026"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=170422"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/170422\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/170429"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=170422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=170422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=170422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}