platforms, highly praised Finn, acknowledging her deep commitment to creating opportunities for artists, galleries, and art communities. Finn’s in-depth understanding of the North and South American art markets and her broad art-world network across the region will serve her well in her new position.<\/span><\/p>\nThe Transition and Future Under Finn’s Leadership<\/b><\/h2>\n
Although the 2023 Art Basel Miami Beach fair will be directed by de Bellis, Finn’s first edition as Director will be the 2024 fair. She expressed her excitement about working closely with the team in Miami Beach, aiming to elevate the show and its offerings for the art communities.<\/span><\/p>\nFinn’s position\u2014Director, Art Basel Miami Beach\u2014marks a new role within the organization. The Miami Beach fair was previously guided by Art Basel\u2019s Americas director, a position that has been vacant since Noah Horowitz’s departure in July 2021.<\/span><\/p>\nArt Basel has been undergoing a significant leadership revamp, with every fair now having a dedicated director. These changes, according to Horowitz, would enable the organization to deliver the highest quality show, relevant to local, regional, and international cultures. The fair’s commitment to growth, according to Horowitz, lies in offering compelling value propositions to both existing and new audiences.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":166440,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[410],"tags":[],"class_list":["post-166285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/166285"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=166285"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/166285\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/166440"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=166285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=166285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=166285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}